Cam, this year you joined the 4FRNT Global Team.
Can you tell us a bit about your decision to move to them?
Where do you feel the ski movie industry is heading?
It’s obvious that there is this desire for mass amounts of shorter, online based content.
My hope is that the public’s interests circle back to the full length films.
Similarly, what are your feelings on Stept’s decision to not produce a movie this year?
Our decision not to produce a film this year was mutual throughout the crew.
We decided it’s time to switch things up a bit.
Everyone in the crew is using the opportunity to do something new in terms of filming.
Does this decision affect your views on directing, editing, and filming a film?
This has not changed much for me on the production side of things for skiing.
Clayton Vila, Sean Jordan and myself have teamed up this season to work on a project.
We have brought in cinematographer Jameson Walter who shot with us all last season.
Clayton and I will be sharing the directing and editing roles for the project.
It will be a pretty similar program for me in terms of production.
What are your short term goals for this season?
Last year was one of the more successful seasons of my career.
My goal is to improve on that and stay healthy.
Maybe, also put out a park edit.
To follow up with that,what’s in the future for your skiing career?
I hope to put out solid street parts for as long as my body lets me.
Any tips for younger skiers getting into urban?
Get out and start doing it… A lot.
It takes a lot of experience to work out all the logistics of it.
