Ten and Two marked the end of that road and the start of a new.
Check out what Sean had to say about the change and what to expect from the new film!
What has the change in studio meant for you on a day to day basis?
But overall it’s very similar to our old procedure.
Where did you spend the winter this year getting shots for the movie?
Per usual we spent most of our time in New England, based out of boston.
The crew at work.
Photo: Topher Baldwin
Was it harder to shoot a movie with just the three of you?
We definitely were lacking some man power this year but we made it work.
We also hired Jamieson Walter for a full time camera which was a huge help.
And obviously we had homies around whenever they could be.
Did you all make it through the winter without major injuries this year?
As far as injuries go, we did pretty well this year.
Other than the usual hits we take it was pretty clean.
What should people expect from For Lack Of Better in compared with other movies you guys have shot?
This documentary is very focused on the lives we live as street skiers.
Other ski movies we made were a bit more traditional
Cam doing what he does best.
This is where we belong in skiing.
We competed, we were park rats, and still found ourselves wanting to go out into the street.
It’s what we are comfortable with and are good at.
How much time do you get to spend skiing on ‘real mountains’ nowadays?
I usually get no more than 30 days of skiing on the mountains and that is mostly preseason.
Cam and Clayton ski on the mountain even less than I do.
They might have 10-14 days on hill.
If so what do you think can and should be done about it?
More and more companies are starting to sign urban riders and that’s good to see.
We just need to keep pushing street skiing.
